万历通宝人物故事花钱

万历通宝人物故事花钱

万历通宝人物故事花钱——厌胜钱,铸造于明神宗朱翊(1573年至1620年)年间。万历在位47年,据史书记载和资料查明,当时百姓安居乐业,政治、经济、文化也相当发达。为明朝巅峰时期。官方在此时也确实铸造了万历通宝镇库大钱和万历通宝特大花钱——厌胜钱。

Wanli Tongbao character story spends money - tired of winning money, cast in the Ming Emperor Zhuzong (1573 - 1620) years. In the 47th year of Wanli’s reign, according to historical records and information, the people lived and worked in peace, and the politics, economy and culture were quite developed. It was the peak period of the Ming Dynasty. At this time, the official did indeed cast a large amount of money in Wanli Tongbao Township and Wanlitongbao--too much money.

正面,“万历通宝”楷书4个字刚劲有力。该钱地章之间分布美观,制作中的4种图案,按中国民族传统文化风俗,一目了然。圆形图案象征着太阳普照下的民族温暖;一枝荷花芙蓉图,表现为民族气节高尚;鱼纹图——古时人把鱼作为吉祥物,年年有鱼(余),表示民族勤俭奋斗的精神。中国结和神绳不断联络图,比喻系着民族大团结。

On the positive side, the four words of “Wan Li Tong Bao” are very powerful. The distribution of the money and land chapters is beautiful, and the four patterns in the production are clear at a glance according to the traditional Chinese culture and customs. The circular pattern symbolizes the national warmth under the sun; a lotus flower lotus figure shows the noble national customs; the fish pattern - the ancient people used the fish as a mascot, and there are fish (Yu) every year, indicating that the nation is diligent spirit. The Chinese knot and the god rope are constantly in contact with each other, and the metaphor is the unity of the nation.

背面,钱体上端和左右两侧铸造的宫殿、人物、风光、山水,从图案清晰度分析,可以认为做工十分精制巧妙,栩栩如生。右侧3人亭中幽雅闲读,左侧4人堂内堂外,像是洽谈,买卖火热。下端7人,戴官帽、穿长衫、仰首、捧腹、行走、肩挑物、姿态各一,设计自然、生动、宜人悦目。

  On the back, the palace, characters, scenery, and landscapes cast on the upper and left sides of the money body, from the analysis of the clarity of the pattern, it can be considered that the workmanship is very refined and ingenious. The three-person pavilion on the right side is quietly read, and the left side of the four-person hall is outside the hall. It is like talking and buying and selling. The lower end of the 7 people, wearing an official hat, wearing a long gown, leaning on the head, holding the belly, walking, shoulders and objects, each one, the design is natural, vivid, pleasant and pleasing.

明朝万历通宝特大花钱也叫厌胜钱、压胜钱,明清时期中国铸造厌胜钱的鼎盛时期,数量之巨、种类之多,超过了以往任何时期,而且厌胜钱的造型也行成了固定的模式。官铸钱占有相当大的比重,民间铸造厌胜钱可能已成为专门行业,厌胜钱也已有专门市场,人们可根据不同的用途,随时到作坊或铸钱局去选购,厌胜钱的使用已成为民间往来活动的一项内容。作为非正用品的厌胜钱,虽不是通用货币(有时也被参杂在流通钱币中使用),但其具有较高的文物价值。

In the Ming Dynasty, Wanli Tongbao spent a lot of money to succumb to winning money and overwhelming the money. In the heyday of China’s casting and dissatisfaction in the Ming and Qing Dynasties, the number and variety of the number were more than any previous period, and the shape of the money was also overwhelmed. The line became a fixed pattern. Guan cast money occupies a considerable proportion, and folk casting may have become a specialized industry. It has a special market for people who are tired of winning money. People can go to the workshop or the money-making bureau to buy at any time according to different purposes. The use of it has become a part of the folk activities. As a non-essential item, the money is not a common currency (sometimes used in circulation coins), but it has a high cultural value.

此枚万历通宝人物故事花钱是杨先生家传的珍品,整体锻造十分精巧规整,钱型厚重,文字美观大方,色泽铜黄,表面有褐色包浆,历经上百年,包浆莹润自然,历史气息厚重,铸造精湛,品相保存完好,虽略有磨损但整体品相可达到美品,收藏价值和升值空间都值得期待,在当下能集齐如此一套完整的万历通宝人物故事花钱更是可遇不可求。

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